Jews
Found in 5063 Collections and/or Records:
Texas Pavilion for Women Building of the Jewish Consumptives' Relief Society, between 1940-1960
Exterior of the Texas Pavilion for Women building at the Jewish Consumptives' Relief Society (JCRS). This postcard is from a set of photographs of the JCRS. The JCRS was a sanatorium for tuberculosis patients that was founded in 1904 by a group of immigrant Jewish workingmen along with the support of several leading physicians and rabbis in Denver, Colorado.
Texas, San Angelo - Federation, 1950-1960
Correspondence related to fundraising efforts for the San Angelo, Texas federation
Texas, San Antonio - Federation, 1950-1960
Correspondence related to fundraising efforts regarding the San Antonio, Texas federation
Texas - Tyler - Federation, 1960-1969
Correspondence regarding the Tyler, Texas federation
Texas - Victoria - Federation, 1960-1969
The collection includes annual reports, correspondence, limited patient records, meeting minutes, financial statements, reports, scrapbooks, photographs, sound discs, and objects from 1899 to 2009. The items reveal patient demographics and characteristics as well as detailed information regarding the early treatment of tuberculosis.
Th, 1971-1972
Correspondence related to companies and persons starting with the letters ''Th''
The Barretts of Philadelphia, 1931
Four siblings pose together. Back left to right Nathan Enbner and Celia Enbner and front left to right Fannie Barrett and Joe Barrett.
The Beginning of the End, 2009
Art book with black paper cover written and designed by Gabriel King, a student in Martin Mendelsberg's Visual Sequencing class at Rocky Mountain School of Art and Design. Based on the life of Dr. J Marvin King, tuberculosis patient at the Jewish Consumptives' Relief Society.
The Blessing of the Moon, c. 1960 - 1979
This painting is entitled The Blessing of the Moon. It measures approximately 24" x 18" and is oil on canvas board. The image depicts Kracow at night under a starry sky and bright moon. The image is of the same street/area of his other painting, "The Burning of Cracow." In line with his other paintings, Veston did not date the painting, though it can be assumed that it was created while living in Albuquerque--between 1955 and 1980.