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Art

 Subject
Subject Source: Library of Congress Subject Headings

Found in 245 Collections and/or Records:

The Denver Clarion, vol. 103, 1996 May 23

 Item
Identifier: clarion_v103_19960523
Abstract

Students express concerns at Chancellor’s Roundtable. Last Call for Entries at Senior Art Show. Efforts combined to honor outgoing seniors. Memorial Weekend Weather.

Dates: 1996 May 23

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00001
Abstract

Photograph of the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00002
Abstract

Photograph of the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00003
Abstract

Photograph of the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00004
Abstract

Photograph of the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00005
Abstract

Photograph four unidentified affiliates looking at the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00006
Abstract

Photograph of the face painted on the bar room floor by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

The Robert and Judi Newman Center for the Performing Arts Records

 Collection
Identifier: U315
Abstract The Robert and Judi Newman Center for the Performing Arts is an administrative unit of the University of Denver reporting directly to the Office of the Provost. The building, constructed in 2002 - 2003 through the generous donation of Robert and Judi Newman, consists of several performance halls, and houses the Lamont School of Music and the business and operations staff for the Newman Center. The collection consists of adminstrative records, banners, posters, programs, and other marketing...
Dates: 2003 - 2014

"The Wall", 2008

 Item
Identifier: B398.01.00032
Abstract

Encaustic wax painting; black background with silver metallic paint on textured surface; some gold metallic paint as well. The artwork also includes a small wood shelf with a pair of toddler sized shoes (black patent leather Mary Janes). Shoes and woodshelf in Box 30.

Dates: 2008

"Think we could strike a deal?", circa 1960

 Item
Identifier: B333.08.0002.0001.00001
Abstract

Pencil sketch on tracing paper of a woman on a doorstep with a milk bottle in one hand and the outstretched holding money (presumably) toward the milkman. The milkman has a milk crate of bottles in each hand and his head is turned back toward the woman on the doorstep. The quotation at the bottom of the sketch states "Think we could strike a deal?"

Dates: circa 1960